We're coming up on our two year anniversary and the honeymoon has definitely not worn off. I am still in love and learning more each time I use her. I added some Command hooks to hang scissors & screw driver for the needle (the idea suggested on an HQ user video). Also some tattoos just to dress her up a bit (from www.urbanelementz.com)
I had sewn on a pre-owned HQ 16 for several years but had been looking at the new machines at shows lately. Wow, lots of differences between brands, both machines and tables. I realized I really love the HQ frames/tables. The bars can be removed easily, allowing me to use the table as a pressing area - very helpful when making t-shirt quilts (see photo on left). Plus room to put LOTS of storage underneath. I wasn't willing to give those features up.
I also wasn't sure I wanted to learn how to use a different LA brand either. Sewing machines (and LA's) are kind of like cars. Some people are Honda people, others are Ford folks, and others BMW devotees. You get used to a certain feel and are comfortable with that. I have been happy with my HQ - it had served me well over the five years (or so) I had owned it. I just wanted a newer model, hopefully faster and bigger, with some new bells and whistles (sounds a lot like a car, doesn't it). It was time to trade up.
After all this research (rationalizing) I decided on the HQ Amara 18. A bit larger than my 16, some really cool features (laser on the needle, low thread warning, infinitely adjustable handles) and a more powerful motor (meaning I could move faster). The frame is designed similar to my old one, but more stable (still storage room underneath) and with two different sewing positions for the bars. I was even able to sell my old machine to another quilter who was very excited to have her first long arm. Wins all around. Here you can see how I've adjusted the handles, the right one down low (because I'm short) and the left one up out of the way as I don't use it much. Those handles and the laser on the needle were big selling points.
As mentioned, I usually have the poles stored when not quilting. On my old table I could fit them underneath but this table hangs down lower than the old one. In order to have the machine at the needed height I pulled the storage baskets out enough to put the bars on them. I can't reach the table as well from this side as work surface, but I typically stand on the other side when sewing anyway.
I put a wing nut on the arm so that I can lift it up out of the way when the bars are stored to lessen the chance of someone running into it (me).
Here you can see the nifty way HQ designs their frames. There is a pressure fitting where the bars snap in and out easily. No disassembly needed - though sometimes an extra set of hands is helpful to get them lined up properly. So slick. Much more flexible than any other frames I've seen.
This next photo shows the bars installed and in one of the two positions possible with this frame - this one is designed for ruler work. I prefer it because it gets the backing bar out of the way so I can see better (I am short, remember). This little hallway leads to a bathroom and walk in closet. I typically put the bars away unless I'm quilting partly because I'm worried about them being damaged.
For my design wall (on the right of the hallway) I moved the fleece covered boards to the wall next to the LA to make it easier to use and allow me access to all of the wall without having to move any furniture. More steps to the sewing machine but it's never blocked and I can still see it from my machine.
I put the Horn cabinet under the lighted shelf and have gone back to using that as the cutting table. I found I rarely walked around to the other side when I had the cutting table on the LA table. And when I did, I had to lean over to cut - it just wasn't comfortable. And now with putting the bars next to the LA table I have to lean even more. Not ideal. If I am trimming an especially large quilt I'll move the cutting board over there just so I can spread out. And sometimes I'll roll the Horn table out from the wall and cut from both sides. But not often. My cutting surface (and pressing boards - see above) are pieces of 1/2" particle board. Very easy to move and not too heavy. When I am using the LA table for quilting, I put the smaller pressing table on top of the cutting table and just use the small cutting board on a folding table next to my machine. The large pressing board stores behind a door.
Turning to the right from the cutting area is my sewing table. When I'm working on bindings or joining long rows together, I will turn the table sideways, backed up to my extra folding table. This provides support behind the machine and gives me more room to maneuver the quilt.
When when piecing I have it facing the wall so I can use the rolling table to hold blocks and supplies on my right. I'd like to have more of a U shape around the sewing table and some sort of extension table on the back but I've not quite figured out how to accomplish it and still keep the area flexible. So for now I move tables around. I did find a small stack of storage boxes that fit nicely under the main sewing table. I can pull it out if needed but I had to remove the rollers to get it to fit.
My sewing room is a lot like a large RV. I move things around depending on what I need at the time. Working on binding, move the sewing table to support the back of the quilt. Use the LA, lower the side arm and install the bars. Guests coming, put away the extra folding table, move the rocker and pull out the sofa bed (and stash the cushions in the bathtub in the next room).
It would be nice to have enough room to spread out and not have to move things around so much. But I know I'm incredibly fortunate to have an entire room (and adjacent walk in closet & bathroom) just for my sewing and long arm table all in one room and all inside my heated & air conditioned house. Lots of folks quilt in stolen corners of kitchens or dining rooms (I've done that too), or hot/cold barns. I love this room - I call it my happy place. Thanks for visiting!
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